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Ramose
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So many things to love about this, grant Sensei, beginning with the wonderful story, which I feel I do understand in part ...born of the sun, god has forgotten us and the long and weary life we've lived, the fight is gone from us and we accept our fate. The opening stanza is glorious! Filled with your signature abundance of assonance and consonance. The second stanza, a mesmerizing description of the tired, old servant of the lord. The third of abandonment. The fourth of acceptance. The care and craft of this piece, like all your work, is immediately evident! Grand and magnificent!
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Rhymist, it is one man, Ramose - a senior official - responding to his king's (implied, offstage) invitation to speak freely. The last stanza reveals that the topic under discussion was the building of a tomb for Ramose - meant to be a great honour bestowed by the king. The subtext is that Ramose has taken the king's invitation to speak freely quite seriously, and has aired his anxiety about death and his scepticism about the afterlife.
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Yes, that is what I read, and also apparently Ramose's tomb was (is) quite beautiful. Have you seen it, in your travels and/or extensive studies?
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I have indeed been to the famous tomb to which you refer, Rhymist, though my use of the name Ramose was determined more by the relative ease of pronunciation and the somewhat ironic nature of its meaning in this context.
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Another thing that may aid appreciation: the phrase 'we, whom the god has wept', alludes to a concept from Egyptian religious belief, whereby humans were thought to originate from the tears of the creator god. In ancient Egyptian, the words for 'people' and 'tears' are very similar, so, as was typical for them, a profound truth was derived from a pun.
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I love the journeys of exploration you take us to, Grant. There is so much to learn and appreciate about Egypt, their history and beliefs. You continually challenge our knowledge as well as our perceptive powers and push us to think beyond our comfortable illusive world. I always eagerly anticipate your next writing and this certainly has enriched my life. Thank you for the explanation and your outstanding writing.
This format certainly fits your subject.
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a write of enormous power grant hayes ... and as I read and re-read this piece before and after reading the comments and your helpful notes i felt i was in Egypt but also felt a connection to modern day. Lamenting the common thread of aging, and inching toward the end... this stopped me 'dead'
My king, I am old like evening,
full of daylight’s wars, my eyes
not widened by charms or terrors
anymore, but even so
- my years like stone on a cracking
sledge, my gaze a fog that never
lifts
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I can barely express how excellent this poem is, and for me, even in the abstract, without explanations.
The phrasing and diction are customarily eloquent, but the overarching theme of reflection is what really mesmerizes me!
This is one of those poems that I will re-read several times over, and I encourage others to do the same.
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